Metropolitan Opera visit in NYC
April 19th, 2008 by mmw5aOn March 12-16 I was lucky enough to take a trip to NYC to experience three productions by the world-class Metropolitan Opera Company.
My graduate advisor and opera mentor, Dr. Robert Jaeger, was my trip companion. Here he is preparing his pipe outside of Tavern On-The-Green in Central Park where we went for a pricey lunch.
During our Friday night March 14 performance of Tristan und Isolde there was quite an excting turn of events. First, the lead tenor, Ben Hepner, was replaced with a singer who had never sung the role before, Gary Lehman. Second, in the middle of the second act Deborah Voight (Isolde) ran off stage while her Tristan kept singing and James Levine kept conducting. The curtain came down and the lights went out in the pit and house. We were informed that Ms. Voight had suddenly taken ill and would be replaced by Janice Baird, a soprano who has never sung Isolde for the Met before. The leads did a tremendous job with the help of the wonderful Met orchestra which took center stage and guided them through one of the most vocally difficult operas. A better review of the night can be found at this website: http://www.musicalcriticism.com/opera/met-tristan-0308.shtml
During the days we walked around the city, we visited The Cloisters which is a museum full of medieval art
off the A train line north of the city. It is set in a monastery and holds famed Unicorn Tapestries.
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One of the best productions was Lucia de Lammermoor with my favorite soprano, Natalie Dessay. I have admired her for years since I first heard her in a Met Opera radio broadcast in 2004. The production was phenomenal, it is in the lyrical bel canto style by Donizetti. During the scene when Lucia goes mad a real glass harmonica was used as in the original score. The instrument had a series of increasingly larger glass cyclinders laid out in front of the player. A machine would turn the cylinders and the player would dip their hand in water and rub their fingers on the cylinders to create the different notes. It is similar to playing water-filled wine glasses.
Edgardo, Lucia’s tenor, was sung wonderfully by Guiseppe Filianoti and the setting and costumes were designed to draw in the next generation of opera-viewers.
We visited the Met museum of art and saw their new Greek and Roman galleries.
The Met has a series of galleries full of Dutch or Flemish Painters from the 1400s, one of my favorite art time periods. Here is a portrait of Maria Portinari by Hans Memling .
This is entitled ‘Curiosity’ by Gerard ter Borch from the 1600’s. I am often struck by the way artists can render fabrics with oil.
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The most well known Dutch painter of the 1600s was Johannes Vermeer, here is his ‘The Maid Asleep’.
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The Pre-raphelite painters have always held a special place in my heart and there are a few at the Met including the left by Burne-Jones called ‘The Love Song’ and the right by Lord Leighton called ‘Lachrymae’.






















































